Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, October 13, 2009

Creative, Motivated Artist Seeks New Space



The first photo shows the outside of my cute little studio. The next one shows a wall of the front gallery and the last shows my work room.
I've begun to have a love/hate relationship with my studio.
In the beginning, I saw this awful, ugly building and wanted to make it my little creative nest. I had the walls painted, floors replaced and other repairs made. I added bits of furniture. I took doors off cabinets so I could see my supplies. It was all good. I loved it.
Now, why the hate? I guess hate's too strong a word. I'll skip my personal gripes (i.e., wanting a studio at my home, lack of foot traffic) and stick to what's really driving me mad.
The parking lot is a combination of grass, holes, dirt and gravel. The building needs a new roof, a new ceiling, insulation, etc. My landlord needs to get motivated. And, his handyman needs an attitude adjustment.
Okay, the last two are personal gripes. I'll just say, "put your money where your mouth is, Mr. Landlord," and "don't call me sweetie or patronize me, Mr. Handyman." (If I screwed up the punctuation, sorry.)
When I signed the lease last fall, the landlord promised the parking lot would be asphalted (is that a word?) very, very soon. He said, "he had to, because the city was on him."
Cutbacks. Recession. Better things to do. Whatever. I'm still waiting. As long as I can park out front, all is good. If I have to park in the back, I definitely need the SUV.
The roof issues started when the ceiling nearly fell in on the back half of the building. Called the landlord. He had the roof replaced and ceiling repaired over the back area rather quickly.
During the repair, his handyman told me the wood was rotted. And, that the whole place needed a new roof, too. And, that most handymen charge too much, but he's different. Hmmm.
To their credit, the back room feels great now. The dampness and "old" smell is gone.
All was good for a week.
Then, I noticed the bathroom felt damp. The toilet paper and paper towels felt like those you'd find in a porta potty after a rainstorm. A few art pieces fell off of the wall in the gallery front. It felt damp in there, too. My watercolor paper felt damp, as if I'd painted on it an hour before.
I looked over the bathroom, noticing a light around the pipe running from and through the ceiling and the floor. Someone (who?) left my cellar light on and I could see down into the cellar from the bathroom. No wonder my studio was covered in spiders and dampness.
I had never really noticed the gaping holes around the pipes in this room before. Now, I couldn't walk into the bathroom without staring at them. Plus, the ceiling had started to bulge like the back room's ceiling did before it dropped.
I asked a friend who owns a roofing company to give me his opinion of my concerns. After a brief walkthrough and head nodding as I complained, he asked to see the cellar. His muddy footprints spoke before he did. My cellar was a mud pit. The cellar runs under the bathroom, to the side of the middle gallery and across the front gallery.
At his suggestion, I placed a dehumidifier in the front room. Every five days, it fills to capacity. No wonder the place was damp; this was definitely not good for my art or my allergies.
I called the repairman to give him a heads up. He told me irritatedly that I needed to call the landlord. Sorry. I knew that... I just thought a heads up... Oh well.
I called the landlord who apologized for all the problems I was having and promised to fix everything.
Meanwhile, it's getting chilly outside and raining every few days. And, if the winter prediction hold right, it's going to be cold and wet.
I called again asking about repairs. I also mentioned the puddle of water in my bathroom next a pipe and new dried brown stains that run the length of the pipe. The landlord promises repairs.
The handyman calls me and explains (not so nicely) that the roof was patched already, the ceiling will be taped and an insulation will be sprayed around the pipes.
What about rotting wood? What about the dampness? The cellar mud pit?
He started with a "sweetie, you don't know what you're talking about..." and ended "I'll get to it in a week or two." The middle was a mishmash of angry blah blah blah.

Okaayyyy. It's not my fault the place has problems. I've cared for this little place.
But, in that moment, I was done. Whether I just lost that loving feeling or simply removed my rose colored glasses, I'm not sure. Pick a euphemism.
What I do know is that when I'm there, I feel the dampness. I can't stand the bathroom. It feels like a porta potty. I see floors that seem to cough up dirt because of a mud pit cellar and parking lot.
I worry about my art, my supplies. I get angry about the repairs that could make this place better. I fret over the money spent fixing it up and paying enormous electric bills.
I should've guessed that my studio didn't have sufficient insulation. I certainly never guessed that my electric/gas bill would be $350 in December. I was only in the studio for two weeks that month. When I was there, I kept the thermostat at 65 degrees.
Two months in a row, I paid more than $300 for an 850 sq ft. building with a thermostat setting of 65 degrees. I was thankful to pay a bill of $166 in the spring. When I got a $62 bill for July, I got a clue. I recently checked same-sized properties that have adequate insulation and found the average bill was $50.
I also found landlords that care how a property is maintained.
So, here I am, looking for another space to nest and spread my creative wings. I feel sad, like I'm abandoning the little building. It looks so much better, happier if you will, since I moved there.
My lease is up October 31, 2009. I haven't paid this month's rent yet. It was due the 8th or maybe it's the 15th. I always pay early. I've been advised to hold my rent until the repairs are made.
If my landlord does call to ask for the rent, I'll probably buckle and send it. But, maybe, just maybe, I'll apologize for the problem and tell him I'll fix it by sending a check very, very soon.

Sunday, September 27, 2009

"Pattern" is the 9/25 Illustration Friday topic


Below is the quote that IF sent out with this week's topic "Pattern." My ink illustration "Sangria" is one of my favorites that show a pattern.

Tuesday, September 1, 2009

Why "should" I want to buy that?

Last week, a man walked into my art studio, looked around and stopped at a table display of my ACEOs.

"Now, what are these?" he asked.

I explained the cards were ACEOs, small art pieces similiar to the wallet-sized cards European artists from centuries ago gave away to advertise their work. And, although ACEO stands for Art Card Editions and Originals, at this time, my cards are original and one of a kind.


"Cool," he said casually flipping through the stack. "Now, tell me why should I want to buy one."

Easy. ACEOs are an inexpensive way to collect an artist's work.

After he looked through the stack on the table, I directed him to other ACEOs around the room. He chatted about the different styles of cards I offer: ACEOs with original illustrations, collages and watercolors... some embellished with fiber and some with stamps I collected in the late 1970s - early 1980s. (However, my latest ACEO sports a recent postage stamp of Seabiscuit.)

"Nice," he mused hand on his chin. "What would I do with them? Like, where would I put them?"

The possibilities are many. Some collectors keep ACEOs in a photo or card collecting album. Some mat and frame a grouping of the cards. An ACEO can be proped on miniature easel or tacked on bulletin board. They make nice a bookmark, keepsake, card enclosure, meditation piece or graphic element in a scrapbook.

"Great! Thank you! I love your work," he enthused, then shook my hand and left.

Well... I admit I had hoped for a sale, large or small. No such luck. Another day...
Check out my ACEO cards at http://www.smackinart.com/ and http://www.smackinart.etsy.com/.


More about ACEOs:

(1) ACEOs are the size of a sport trading card (2 ½ X 3 ½ inches).

(2) ACEOs are sold, while Art Trading Cards (ATCs) are traded.

(3) The ACEO Movement was founded by artist Lisa Luree.

(4) (information courtesy of Art-Cards.org) Sixteenth century art cards were typically nude paintings of mistresses commissioned by men from the same artists who painted large portraits of their children or wives. Eighteenth century artists used art cards as an advertising tool. Impressionist artists traded art cards among themselves to study and sold or traded to others for supplies, food and lodging.